Where the system is visible in the result

01. The practice

Contracted directly by LLB. The brand architecture and the execution, both mine.

A beige marble countertop with a turquoise book titled 'OCEAN HOUSE PENTHOUSE', a beige cloth napkin, and a small brown ceramic vase. In the background, a window with a grid pattern allows natural light into the room.

Ocean House Surfside

Multiplan Real Estate Asset Management

A controlled narrative system for a $70M penthouse, carried through a Wall Street Journal campaign. A pre-construction asset has no operation to demonstrate and no guest to convince. What it has is a story that must be believed before anything exists to verify it. The work was building the structure that made the story hold across every surface a buyer at that level touches.

Exterior of a modern building with glass doors and lush greenery, featuring a bronze circular sign that reads 'VITAL ELEVATED LIVING' with a geometric design.

VITAL Elevated Living™

An origination build. Nothing existed to audit.

The proposition was real and intangible, which is the hardest thing to sell in real estate: a standard of living that could be described but not shown. The work was structuring that into a certification and brand system that could be understood, sold and applied by people who were not in the room when it was defined.

02. Riviera Dining Group

Architected and directed from inside the group, before this practice.

One parent architecture. Six derived brands.

An outside studio is given a project. Someone inside the house is given the house: every brand as it was decided, over years, with the coherence between them as their responsibility rather than as a brief. That is why six formats hold to one architecture. It was not enforced from outside. It was built from within, one decision at a time.

MILA · MILA Lounge · MILA Omakase · MM Club · AVA · Casa Neos

Extending a recognized brand into new formats usually produces one of two failures. A flat copy that reuses the flagship and dilutes it. Or a disconnected concept that trades on the name with none of the substance. Most groups pick one without knowing there was a third option.

The architecture stayed fixed. The sensory register moved. The lounge went nocturnal and ornate. The omakase went quiet and precise. MM Club was built as a membership layer above the portfolio rather than inside any one venue, which is why it spans MILA and AVA rather than sitting under either.

In 2025 the MILA property was ranked the number one highest-grossing independent restaurant in the United States by Restaurant Business Magazine, with $51.1M in reported sales, property-wide.

The engagement ran from 2022 to 2024. The ranking belongs to the operation. What the brand system contributed was the coherence that let the property grow across formats without the identity thinning as it went.

MM Club has since extended to a venue (Claudie) that did not exist during the engagement.

view the ecosystem

Interior of Mila, a modern restaurant with wooden furniture, decorative vases on shelves, hanging glass light fixtures, and plants near the bar area.

mila

Aligning brand, atmosphere, and execution into a high-performance hospitality system.

03 · The editorial system

Creative direction across the roster of a publishing house producing museum-quality publications for hospitality and lifestyle brands.

A collection of colorful books, brochures, and magazines spread out on a wooden surface. The items feature titles related to luxury hotels and destinations, with some featuring images of women and scenic views.

luxury art book

A single editorial object made by one hand can be held to a standard by that hand. A portfolio of them, produced across properties, contributors and print environments at once, cannot. At this tier perceived value is carried almost entirely by precision, and precision is the first thing to fragment when many people execute against high expectations without a shared reference.

The work did not start with a publication. It started with the architecture that would govern all of them.

Hospitality and Residences
Ritz-Carlton • St. Regis • Waldorf Astoria • Baccarat • The Plaza • The Pierre • Leading Hotels of the World • Rosewood • The Newbury • One&Only • Gurney's Montauk • Westin • Buoy Haus • Acqualina Resort & Residences • St. Barth Hotels Collection

Jewelry and Watchmaking
Harry Winston • Bvlgari • Cartier • Tudor • Richard Mille • London Jewelers • Roberto Coin • Pasquale Bruni • Verdura • Vhernier • Igal Dahan

Fashion, Fragrance and Retail
Ermanno Scervino · Dita · Henry Jacques · Aventura Mall • Escada

04 · Also built or directed

A career built across disciplines

fifteen years directing brand, campaign and event work for global consumer and telecom brands.

Nike • Nokia • The Coca-Cola Company • Reckitt Benckiser • Ambev • Diageo • Pernod Ricard • Tim Telecom • Oi Telecom • L’oreal Paris

testimonials

Marcelo Felicio
Creative Director at VML | Project Collaborator‍

“Ludmila has achieved something rare, she matches creativity with business acumen.”

Carolina Tristão
Head of US Operations at Red Espresso | Client‍

“Ludmila is creative, talented and very hard-working. She truly cares about the projects and brands that she works with and has always showed flexibility and ease when the project faces unforeseen obstacles or tight deadlines. She has a great positive energy and is an extremely pleasant person to work with. I highly recommend working with her.”

Adriana Hack
Executive Director at Casa Mundo LATAM | Client‍

“We work sometimes with Ludmila and always find creative solutions to our work. I think its high quality service, fast and with great prominence in the competitive scenario.”

Gustavo Machado
Senior Business at Nosso Instituto | Client‍

“Ludmila is absolutely obstinate in her pursuit of a creative concept. In the time we worked together, there was no part of the process too big or too small to pique her interest. From the highest level creative strategy down to the details of design. She’s remarkable passionate and opinionated about the work. Ludmila has great skills to transform what we, clients, are trying to say into creative design solutions.”

Karla Queiroz
Marketing Lead, ABAV | Project Collaborator‍

“Ludmila is extremely strategic, creative and resourceful, an exceptional creative mind that never rests, leading with contagious enthusiasm and vision. She takes big strategic thinking and turns it into simple, powerful brand storytelling, with no boundary between offline and online, carried with vision and purpose that inspire.”

Eduardo Magalhães
Brand Manager at Reckitt Benckiser | Client‍

“Working with Ludmila is a great pleasure. A very professional person and partner, which is in constant search for better solutions that guarantees an excellent delivery. I have great confidence in Ludy and I always get positively surprised of each of her event or action. The great advantage of Ludmila is her entrepreneurial and ownership spirit in each job that regardless of its size she is 100% focused, engaged and active in the job”

Gustavo Paris
Leading Design Vision for PayPal | Project Collaborator‍

“Ludmila is a creative ninja. She has great strategical thinking that drives potent ideas, additionally she tops it off with her great sense of design and aesthetics to make her projects always hit the mark. She is easy and fun to work with.”

Theo Gomes
UX/UI & Branding | Project Collaborator‍

“Extremely detail-oriented and attentive, she possesses a strong entrepreneurial instinct and great versatility when it comes to transforming ideas into successful products and projects. Demanding, up-to-date, and meticulous, she always knows her desired outcome from the very start of a project. Her ability to bring together top professionals from various fields and seamlessly integrate every link in the chain to ensure a project's success is undoubtedly one of her most impressive qualities.”

Jeferson Paris
Owner at Paris Consulting | Project Collaborator‍

“Ludmila is a competent, responsible and reliable professional. She is very creative and listen to the customer identifying his needs and expectation which are great ingredients for success.”

My work is grounded
in a simple conviction.

The most valuable brands are not only recognized.
They are chosen.